Rating: RRRR
Review By: Alan Holloway
A while back I gave a glowing review to Chris Daughtry’s “Break
The Spell” album, using the phrase “Nickelback meets Bon Jovi”, and I still
stand by that as pretty much the flavour that was achieved. It’s two years
later, though, and either Daughtry or the powers behind him have decided that
he needs to go in an even more radio friendly direction, hence the poppy
delight of “Baptized”.
This album has received plenty of criticism for being wet,
and it certainly is damp to the extreme, but that doesn’t stop it being highly
enjoyable, especially if you are a teenager or an older person who loves the
idea of The Goo Goo Dolls and Pink doing an album with Sandi Thom and Fun,
which is sort of the direction Daughtry has pointed himself in now.
Although Daughtry himself co writes all the tracks here, he
has utilized the talents of the likes of Sam Hollander, who has had plenty of
success with songs for Train, Good Charlotte, Gym Class Heroes and Cobra
Starship, and also Martin Johnson, frontman and writer for Boys Like Girls
(plus many others). So what we get is an
album that’s very squarely aimed at the teen demographic, full of light, catchy
music that doesn’t really rock all that hard. The thing is, it still works
incredibly well.
My own favourite track is “Long Live Rock & Roll”, which
is as far removed from the Dio classic as it’s possible to be. Instead it’s a
similar track to “I Wish I Was A Punk Rocker”, with Daughtry going on about
growing up and loving eighties rock music, basically. It’s got a similar vibe,
also, to The Goo Goo Dolls’ “Rebel Sound”, and it helps that that was one of my
top tracks from last year.
So whilst Daughtry is turning into a wimp, musically, he’s
at least surrounding himself with people who know how this shit should be done.
The ultimate saving grace is, of course, his superb singing voice. Some songs
that would have been average by anyone else end up being soulful purely because
he sings them. Fans of the previous albums may balk at the dilution of his
signature sound, but there’s still a lot to like about Chris Daughtry.
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