The flood of new releases doesn’t seem to slow down. I’m trying to keep my head above water but failing miserably… but it is what it is. Let’s check out some of the new albums:
The name CAPTAIN BLACK BEARD might suggest that we’re dealing with a Running Wild-influenced ”Pirate Metal” band but that’s not the case. They’re Swedish and they play melodic hard rock and do not have parrots on their shoulders or eye-patches. I liked their previous album but after just one spin, I think their latest one ”Neon Sunrise” is even better. They kind of sound like a very energetic hybrid of all most of your favourite Swedish bands, so check ’em out!
The SARAYASIGN album has been out for a while, but I haven’t given it a proper listen until now. It’s one of those curious album which I should like, but can’t really get into. If you like Perfect Plan, there’s a good chance you’d like this, because they’re pretty similar stylewise. Nothing wrong with their songs or production, but… just OK.
GRAND are another new Swedish AOR group who have just released their first album. They represent the lighter side of Scandi-AOR á la Work Of Art, Care Of Night and Creye.There are two songs which really stand out: ”Stone Cold” and ”Once In A Blue Moon”. They both went straight to my ”Highlights of 2022” playlist. The rest of the material isn’t too bad either, so I’ll give this album RRRR rating.
I used to like JADED HEART, but over the years we’ve drifted apart. I decided the give their new album ”Heart Attack” a chance, but maybe it’s too late for us. There’s still some hope as some of the songs are quite good (the opener ”Blood Red Skies” and the title track for example), but the semi-thrash metal of ”Lady Spider” isn’t what I want to hear from Jaded Heart.
JOHNNY GIOELI’s latest project is called ENEMY EYES. With a more metallic edge than Hardline, the promo blurb say it’s a new chapter for him. Sure enough, the opening track ”Here We Are” is a very impressive slice of melodic metal, reminding me of Avantasia. Unfortunately it’s all downhill from there, and there’s nothing really exciting about the rest of the songs. They’re heavier than the usual Frontiers project material, so fans of Johnny’s work with Axel Rudi Pell might get a kick out of them.