Friday, November 1, 2013
David BRONSON: "The Long Lost"
Label: PrescriptionPR/Indie 2013
Review by: Urban "Wally" Wallstrom
I enjoyed his "Story" album and was looking forward to part two of Bronson's autobiographical concept story. "The Long Lost" is in fact the prequel to his two-installment narrative chronicling project. Legendary producer and recording and mix engineer Godfrey Diamond (Lou Reed, Aerosmith, Sparks, Glen Campbell), recorded numerous overdubs, mixed, and assisted Bronson with the finishing of the album, while the majority of the double record was recorded at the studios of Brooklyn, Manhattan-based Producer/Engineer/Mixer Matt Gill (Fischerspooner, Aimee Mann, The Raveonettes).
I quite like the quirky mix of alternative rock and 70s singer/songwriter which goes on throughout the album. One minute you're listening to 80s R.E.M. with the twangy rock of Jackson Browne including pedal steel and everything (We Are Not Animals) and next it's Cat Stevens gone slightly Beck and indie (Living In Name, In A Cave). The moody arrangements of Nick Drake and George Harrison-esque slide guitar are two other great signs of the album's diverse and emotional pacing. By the way, R.E.M. borrowed tons of stuff from 70s acts such as Neil Young and America (the band) anyhow.
The songs are overriding feelings—like hope or anger— and a couple of them such as, "Idols" or "One Simple Myth", clearly just too hippie for my personal taste. To Bronson's credit, he's always willing to gamble and explore/try something new, and the closing track of "Stay In Touch", psychedelic haze of the past featuring excellent slide guitar and ultra sonic drums. It's the foot-tapping semi-acoustic album and definitely a step in the right direction.